SAMBA DE JANAIRO SOFTWARE

Seyi Ajeigbe, founder of Eko Samba community, is a British born Nigerian musician with over 15 years of experience in public/community carnival arts and musical presentations.Īfter discovering Samba in London in 2004, Seyi spent the next 6 years learning, playing, teaching, directing and performing with groups such as the London School of Samba, Paraiso Samba School, Umbela Arts, Beats Culture, Verde Vai, Chapa Quente, Bloco X and more. I could have used more synthesisers and made it into more of a remix.Emmanuel Offe, Musical Director of Ékò Samba. If i was to change it i would just use drums and not steel pans. My piece sounds a bit like Calypso because of the steel pans. Have a greater variety of MIDI and Audio tracks.Add some effects to make the piece sound more authentic.

SAMBA DE JANAIRO SOFTWARE

I used a range of software instruments and had to quantise my sounds to get them in time.

I used lots of techniques to create the piece. I liked the structure because samba is repetitive. I think it sounds nice and upbeat and it would make people dance to it. It has more than 4 midi tracks and an audio loop. The piece meets the brief because it is 2 minutes and 42 seconds long. I tried and experimented with lots of instruments and i think it sounds good. I took a long time working out different rhythms for the piece and i tried out lots of ideas. Instrumentation – i used strings, steel pans and drums. Harmony – i used broken chords for my harmony.

Rhythm – my piece has a beat that changes at different times in the piece. Melody – i used strings for the melody and steel pans for the second melody. The structure is quite simple – the same ideas repeated However, I also added some effects, such as the arpeggiator, fade and EQ etc to make the piece sound just that little bit better. My piece has a variety of percussion instruments such as drums, tom toms and steel pans. The steel pans make it sound a bit like Calypso music. I experimented with lots of different ideas and it started to sound like Samba. However, I started playing around with the drums and steel pans and managed to make quite a nice beat. With my piece I wasn’t 100% sure what type of style is was going to make. They sometimes add synths and drum grooves when fusing samba with dance music. They also use technology more in samba remixes. They use microphones to record the groups performing in concerts. The technology aspect is really when Samba is recorded. In more remix examples they may use EDM style piano breaks.ĭrums, percussion, whistles etc – brass and strings. The style is rhythmic so really there are no chords. There are very complex rhythms – cross-rhythms/syncopation. Samba is made up of different rhythms – the style is based around these. They use trumpets and brass in the tunes. There might be the odd little agogo melody. A mid section is where just 1 or 2 instruments change the rhythm of their ostinato and the others stay the same or stop playing all together. It is used to provide to create contrast to the main groove. A break is a 4 or 8 beat rhythm which is usually played once or twice. The groove is then broken up by breaks and mid sections.

The groove is the main ostinato that is heard most of the way through a piece of music. The main pattern that a samba piece needs to know is the groove. A samba piece may need to know as many as 6 ostinatos per piece of music. For each section the samba piece will need to know an ostinato (repeated pattern). Samba music is built up of lots of different sections. Traditionally, the samba is played by percussion instruments – see the video below:Įach instrument in the samba band has its own repeated pattern to play. The modern samba that started at the beginning of the 20th century is mostly in a 2/4 time signature varied with a sung chorus to a batucada rhythm. Samba is recognised around the world as a symbol of Brazil and the Brazilian Carnival. Samba is a Brazilian musical genre and dance style, with its roots in Africa via the West African slave trade and African religious traditions through the samba de roda genre of the northeastern Brazilian state of Bahia, from which it derived. Although there were various forms of samba in Brazil with popular rhythms originated from drumming, samba as a music genre has its origins in Rio de Janeiro, the former capital of Brazil.

Samba de janairo